Bard On The Beach Presents CORIOLANUS

Bard on the Beach Shakespeare Festival is set to round out its 30th Anniversary Season in Vanier Park, with the staging of Coriolanus on the Howard Family Stage in the Douglas Campbell Theatre. Directed by Dean Paul Gibson (The Winter's Tale, 2017 and A Midsummer Night's Dream, 2014), Coriolanus is making its first appearance at Bard in the Festival's 30-year history.

"I am honoured to be directing Coriolanus on the Howard Family Stage, featuring a female protagonist," says director Dean Paul Gibson. "This production for me is an artistic expression of the times we live in, with the evolution of ancient stories for modern times. This is the first professional presentation of Coriolanus in Vancouver, and there couldn't be a better time for us to present this work with a strong female lead."

Gibson has cast Moya O'Connell (Macbeth & Timon of Athens, 2018) as Coriolanus, in this challenging drama that showcases the politics of power as they play out within a country divided by discordant and corrupt agendas. Gibson notes, "Flavours of past warfare, along with some very modern political maneuvering, serve to remind us that the original story, with its division, tribalism and social schisms, still resonates hundreds of years later - as if it's been pulled from the latest news report. It proves yet again that we are drawn to repeat our transgressions with no thought of our history."

The world of Coriolanus resembles our own Western society, but without its modern digital technology. Its action unfolds after a solar event has wiped out all digital communications, and the set, costumes, and sound of Coriolanus represent a world of contrast, in a fragmented and damaged society. "It is Rome", explains Set Designer Pam Johnson, "but not the Roman Republic. It is a Rome deconstructed."

The cast of Coriolanus includes Praneet Akilla, Dalal Badr, Alen Dominguez, Craig Erickson, Paige Fraser, Marci T. House, Shawn Macdonald, Moya O'Connell, Anthony Santiago, Sara Vickruck, Colleen Wheeler and Raugi Yu.

Set Designer Pam Johnson's design concept exposes the Douglas Campbell tent's support structure and frames the creations of Projection Designer Jamie Nesbitt. Costume Designer Barbara Clayden has created minimalistic designs that exaggerate the division between the ruling and working classes. Composer and Sound Designer Alessandro Juliani uses analog and primitive sounds to create a dark, non-digital world, reinforced by Lighting Designer Alan Brodie. Adding beauty and abstraction to the play's violence and movement are Robinson Wilson (Creative Consultant and Fight Director/Co-Fight Choreographer) and Lisa Stevens (Co-Fight Choreographer). Additional members of the production team include Kimira Bhikum (Assistant Set Designer), Kate De Lorme (Sound Design Assistant), Alaia Hamer (Assistant Costume Designer), Jamie King (Apprentice Director), Alison Matthews (Head Voice & Text Coach), Conor Moore (Projection Design Assistant) and Sophie Tang (Assistant Lighting Designer). The Stage Management team includes Joanne P.B. Smith (Production Stage Manager), Jennifer Stewart (Assistant Stage Manager) and Zoe Bellis (Apprentice Stage Manager). Full cast and crew details available here.

Dates of note for Coriolanus include:

Coriolanus - August 21 to September 15; Opening Night Sunday August 25

Exploring Shakespeare - September 7 at 11am; presented by Simon Fraser University's Paul Budra

Talkback Tuesday - August 27; join members of the cast for a lively Q & A session after the performance

Wine Wednesdays - August 21 & September 4 at 6pm (pre-show ticketed wine tasting events)

Play ticket prices include all fees & taxes and start at $26 for all regular performances. Youth Price tickets, sponsored by Global BC, are available for patrons ages 6 to 22, at 50% off regular adult prices. Prices for special events, group bookings and multi-play ticket packages can be found online at bardonthebeach.org or by calling the Bard Box Office at 604-739-0559. Early booking is recommended for best seat selection (all seats are reserved) and because many performances sell out in advance.