Donmar Warehouse Announces Multiple Guest Actors To Play The Role Of Daddy Brubeck In SWEET CHARITY

By: Apr. 05, 2019
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Sweet Charity

The Donmar Warehouse today announces initial casting for the role Daddy Brubeck in Josie Rourke's production of Sweet Charity. Multiple guest actors will play the role of Daddy Brubeck including Shaq Taylor, Adrian Lester, Le Gateau Chocolat, Beverley Knight and Clive Rowe with further casting to be announced.

Shaq Taylor will play the role from 6-13 April, Adrian Lester will play the role from 15-27 April to include press night, Le Gateau Chocolat will play the role during the week beginning 29 April, Beverley Knight will play the role during the week beginning 6 May and Clive Rowe during the week beginning 13 May.

They will join cast members Lizzy Connolly, Arthur Darvill, Lauren Drew, Anne-Marie Duff, Jo Eaton-Kent, Will Haswell, Charlotte Jaconelli, Stephen Kennedy, Debbie Kurup, Martin Marquez, Ryan Reid, Amy Ellen Richardson and Danielle Steers.

Sweet Charity has been choreographed by the world-renowned Wayne McGregor, who reunites with Josie after collaborating on her debut film Mary Queen of Scots. Josie returns to the music of Cy Coleman who wrote the score for her Olivier Award-winning production of City of Angels. The book is by Neil Simon and lyrics by Dorothy Fields.

For Rourke's farewell production, all tickets at every Friday performance of Sweet Charity from 26 April will be free to those aged 25 and under through SWEET FRIDAYS. Part of the Donmar's successful YOUNG+FREE scheme, SWEET FRIDAYS free tickets will be allocated by ballot. As part of the scheme the Donmar will also invite schools from every London borough to see Sweet Charity for free. SWEET FRIDAYS are made possible with the generous support of Susie Sainsbury and the Backstage Trust.

During Rourke's time as Artistic Director, YOUNG+FREE, has made over 15,000 free tickets available to those aged 25 and under. Enter the ballot for SWEET FRIDAYS tickets at www.donmarwarehouse.com

"The minute you walked in the joint, I could see you were a man of distinction, a real Big Spender..."

New York, 1967. Charity Hope Valentine is a dance hall hostess who "runs her a heart like a hotel". At the hopeless end of a long line of users and losers, she meets Oscar, a mild-mannered tax accountant, and Charity Hope Valentine once again puts her faith in love.



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